Like in Hostel 2, the lamb led to the amusement park turned out to be a wolf. Logan realized that something was wrong with Dolores (“If it’s such a wonderful place out there, why are you all clamoring to get in here?”) but that there was even something more wrong with William. When Logan woke up and saw the dismembered Hosts all around him, Logan realized that he was dealing with a very different person than the one he entered the park with. During the episode, William became a complete contrast to Logan ( Ben Barnes) and his incessant braggadocio nature. William ( Jimmi Simpson) went off the deep-end in The Well-Tempered Clavier.
It was a wonderful moment in Contrapasso and a wonderful misdirection based upon undisclosed facts. She was still there but Arnold, his friend, was gone. Ford was upset because he was staring into the face of the creature that ended Arnold’s life. I thought that he thought that Dolores was hiding something from him thus his anger. That is why Ford was angry with Dolores (hurting her a one point) in Contrapasso. I believe his new narrative evolves the board and the oversight of Westworld, with the Wyatt narrative as a feint to keep everyone looking in one direction while Ford moves in another.Īrnold not being able to help Dolores Abernathy ( Evan Rachel Wood) because she killed him long ago was the second best moment (reveal) of the episode, trumped only by the Ford / Bernard (reveal) scenes. He is aware that the board that oversees Westworld within Delos wants his tech and wants him out (even before Theresa Cullen, her last words, and her clandestine machinations were a threat). Ford has shown continuously that he thinks in advance of a situation presenting itself. I don’t believe Ford’s new narrative is like anything the viewer is expecting, certainly not the people in the Westworld universe. Like the Clementine demonstration in Trompe L’Oeil, Ford had been playing along with Bernard in The Well-Tempered Clavier until it was time to act violently to save his park, his dream, and his new narrative. Rolling him back was no longer an option. When Bernard asked lobotomized Clementine Pennyfeather ( Angela Sarafyan) to kill Ford, Ford realized that he couldn’t trust Bernard anymore. Those weren’t requests, those were warnings i.e. Ford repeatedly asked Bernard to allow Ford to “roll him back” so that he would forget his queries and his desire to explore his past. That was evident yet again in The Well-Tempered Clavier.īernard’s end was his own doing. Robert Ford ( Anthony Hopkins) has shown an uncanny ability to think ahead when it comes to Host programming. Both sought to understand themselves through their journeys yet only The Man in Black was truly free enough to explore and possibly be changed by it. Bernard’s brief journey of self-discovery after the reveal in The Well-Tempered Clavier mirrored The Man in Black ( Ed Harris)’s journey throughout the season.
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